A popular Canadian rock band with a sound that combines elements of emo, gritty post-hardcore, and soaring indie rock, Silverstein emerged in 2000 and found success with the release of their Juno Award-nominated sophomore effort, 2005's Discovering the Waterfront. They returned to the charts in 2015 with the acclaimed concept LP I Am Alive in Everything I Touch. Silverstein have continued to perfect their screamo-tinged brand of melodic hardcore, as on 2020's Juno Award-nominated A Beautiful Place to Drown and 2022's Misery Made Me. Three years later, the band issued Antibloom, the first installment of a double LP. Originally formed in 2000 as a side project, Silverstein were launched by vocalist Shane Told, guitarist Josh Bradford, drummer Paul Koehler, guitarist Richard McWalter, and bassist Bill Hamilton in Ontario, Canada. After diving into Ontario's hardcore/emo scene -- which also included bands like Moneen and Grade -- Silverstein found an audience for their particular brand of shimmering emo and hot-blooded post-hardcore. Silverstein's self-released EP Summer's Stellar Gaze was quite well received upon its release in 2000, and the band soon became the full-time project of its members. After a lineup change that saw McWalter being replaced by ex-Maharahj guitar player Neil Boshart, the group began to tour the eastern provinces of Canada in earnest. Silverstein released a second EP in April 2002 entitled When the Shadows Beam. The record sparked the interest of Victory Records honcho Tony Brummel, who signed the group to his respected Chicago imprint in October of that same year. When Broken Is Easily Fixed, Silverstein's full-length Victory debut, appeared in May 2003; a re-release of the album was issued a year later with bonus tracks and a DVD. Silverstein spent the summer of 2005 playing on the Warped Tour, and their follow-up album, Discovering the Waterfront, came out that August. Silverstein also appeared on the 2006 Take Action Tour alongside Matchbook Romance, Chidos, and the Early November. 18 Candles: The Early Years appeared in May, combining reissued material from the band's first two independently released EPs with several live tracks, acoustic performances, extensive liner notes, and rare band photos. Victory then issued a special edition of Discovering the Waterfront in fall 2006 with a bonus live DVD, new artwork, and an additional track. After coming off tour, Silverstein began working with producer Mark Trombino, who had previously worked with Jimmy Eat World and blink-182. The title of the resulting record, 2007's Arrivals & Departures, pertained to the maintenance of personal relationships while on the road. It also involved more emotionally charged lyrics, inspired by the end of Told's seven-year relationship just before his return to the studio. Silverstein traveled the world in support of the album, playing the usual North American shows while also touring through Europe, Australia, Japan, and South America. They found time to return to the studio, too, and A Shipwreck in the Sand marked the band's fourth studio album in 2009. They set out on tour to promote the record, making stops across the U.S. and the U.K. The following year, Silverstein announced that they were leaving longtime label Victory for Hopeless Records, which released the EP Transitions in 2010 and their fifth album, Rescue, a year later. Silverstein switched things up for their sixth full-length, the double-CD Short Songs, featuring original compositions under 90 seconds long on one disc, and covers by bands who'd influenced them -- Dead Kennedys, Descendents, and the Promise Ring -- on the other, further elevated by guest appearances from the likes of Mike Hranica (the Devil Wears Prada), Tim McIlrath (Rise Against), and Chris Hannah (Propagandhi). In 2012, Silverstein parted ways with longtime member Neil Boshart, who was replaced by Paul-Marc Rousseau shortly thereafter. Rousseau's first album with the band, This Is How the Wind Shifts, arrived in early 2013. The band toured extensively throughout North America, Europe, and parts of Japan and Australia over the next two years, and as part of the 2013 Vans Warped Tour lineup. Incorporating outdoor sound recordings associated with song settings and with notably personal lyrics centered on loneliness and loss, the concept album I Am Alive in Everything I Touch was released on New Damage Records in Canada and Rise Records elsewhere in the spring of 2015. In October 2016, the band issued a new single, "Ghost." In May the following year, a second single, "Retrograde," was released in anticipation of the arrival of the band's eighth studio album, Dead Reflection, which appeared later that July. Redux: The First 10 Years followed in 2019 and featured re-recorded versions of songs off the band's first four albums. A Beautiful Place to Drown, the group's tenth full-length effort, arrived in 2020 and featured guest spots from Underoath vocalist Aaron Gillespie, Princess Nokia, and Beartooth's Caleb Shomo. It hit number five on Billboard's Top Hard Rock Albums chart and garnered a Juno Award nomination for Best Rock Album. More singles followed, including "Bankrupt," "It's Over," and "Ultraviolet," all of which led up to the release of 2022's Misery Made Me. Silverstein celebrated its 25th anniversary in 2025 with an ambitious double LP. Preceded by the singles "Skin & Bones" and "Confession," Antibloom was released in February, with Pink Moon slated to arrive later that year. - Biography by Johnny Loftus Story of the Year is an American hard rock group that helped lay the groundwork for the emo-punk/melodic post-hardcore scene of the 2000s. Emerging in 2003 with the platinum-selling Page Avenue, the band built a loyal fan base by combining roaring guitars and huge singalong choruses with an overriding message of perseverance. After the release of The Constant in 2010, Story of the Year went on hiatus, but they returned in 2017 with the triumphant Wolves. Tear Me to Pieces, the group's sixth long-player, appeared in 2023. Story of the Year took root in the late '90s under a different name, Big Blue Monkey, in St. Louis, Missouri. At the time of its inception, the band's sound was much heavier (similar to the Deftones), and the lineup that would eventually become Story of the Year was not yet in place. Big Blue Monkey played frequent shows in the St. Louis area, issued several EPs, and endured the lineup fluctuations typical to any struggling combo. Creative and persistent self-promotion soon caught the ear of producer John Feldmann, who in turn brought Maverick Records into the picture. By 2002, Big Blue Monkey had become Story of the Year, signed a record contract, moved to Southern California, and toured with Feldmann and Goldfinger. The lineup of vocalist Dan Marsala, bassist Adam Russell, drummer Joshua Willis, and guitarists Ryan Phillips and Phillip Sneed entered the studio with Feldmann, emerging in spring 2003 with the debut album Page Avenue. Story did some Warped Tour dates during the summer to advance the record, which was released the following September. By this point, the band's sound had morphed completely and comfortably into emo-inflected post-grunge, akin to groups like Thrice or the similarly Feldmann-shepherded Used. The concert set Live in the Lou/Bassassins followed in spring 2005; it was a precursor to In the Wake of Determination, which appeared in October and debuted at number 19 on the Billboard 200. Three years later, Story of the Year released their third album, The Black Swan, on Epitaph Records. The Black Swan charted even higher than its predecessor and led to another Warped Tour run as well as additional tour dates. One year later, Story of the Year were back in the studio creating The Constant, which they released in early 2010. The band took a short hiatus to focus on side projects, returning in 2013 for a reunion tour and release of a re-recorded version of Page Avenue titled 10 Years and Counting. Adam Russell parted ways with Story before they returned to the studio to record another album. Their fifth effort, the '80s-inspired Wolves, arrived in late 2017, seven years after their last set of original material. Guitarist Phillip Sneed left the fold the following year, and Russell returned to the group shortly thereafter. 2022 saw the group ink a deal with SharpTone Records ahead of the release of their sixth full-length effort. The resulting Tear Me to Pieces, which included the anthemic title cut, arrived the following year. The album was produced by Colin Brittain, and the band were so pleased with the results that they teamed up with him again a couple of years later to record their next album. Titled A.R.S.O.N. ("All Rage, Still Only Numb") and released early in 2026 and was one of their heaviest and most aggressive albums to date. - Biography by Johnny Loftus