may, 2025

fri23may7:30 pmfri11:00 pmMatthew Danger Lippman7:30 pm - 11:00 pm Baby's All Right, 146 Broadway

Time

(Friday) 7:30 pm - 11:00 pm

Location

Baby's All Right

146 Broadway

Event Details

Brooklyn-based multi-instrumentalist Matthew Danger Lippman has always had a taste for the theatrical, once showing up for sixth grade show-and-tell in a bikini. Throughout his adolescence he began to funnel the class clown antics into music; his high school band Brimstone Blondes put out a few releases via Western New York-based label Admirable Traits Records. In the years since leaving Buffalo for Brooklyn, Lippman’s sound has shifted from angular guitar punk to lo-fi bedroom pop. “I just liked making noise,” he says, but as he began toying with a dreamier sound for his solo work, or, as he puts it, “experimenting with a tenor and a sound that was more earnest.” The positive reactions – and the opportunity to open for the likes of Foxygen, Shonen Knife, and Caleb Giles – left him “feeling like it was a better way to connect with people and a better way to be truthful,” he says. Since joining forces with jazz bassist Arden Yonkers and drummer Oliver Beardsley (who refer to themselves as the “Molson Twins”), Lippman has settled into a “psychedelic widescreen rock & roll sound,” evident enough on his forthcoming EP Touchdown U.S.A., out March 5th. Today, he’s premiering a video for EP cut “Suburban Girlfriend,” and once again, Lippman spares no theatrics. Equal parts shoegaze, glam rock, and bedroom pop, “Suburban Girlfriend” is a nostalgic plea, a desperate wish for a simpler time. Lippman went back to Buffalo to shoot the video with longtime collaborator Jacob Smolinski. He’s stars in the video wearing garish dollar-store makeup beneath a glaring light, traipsing around his hometown with clips from classic sitcoms and old YouTube videos of himself from middle school spliced in, resulting in what he calls a “collage of pop culture memory.” His aimlessness, combined with the strangeness of his appearance in this idyllic suburbia, create a feeling of alienation hinging on the realization that he’s become a stranger in his old haunts. Lippman says he “wanted it to be this Lynchian, horrific vision of the past, longing for something and knowing it can’t be replicated. The total loss of self when you desire things you can’t replicate.” - Audio Femme